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books.google.com - Nineteenth-Century Choral Music is an in-depth examination of the rich repertoire of choral music and the cultural phenomenon of choral music making throughout the period. The book is divided into three main sections. The first details the attraction to choral singing and the ways it was linked to different...https://books.google.com/books/about/Nineteenth_Century_Choral_Music.html?id=qyPz1PUFxW8C&utm_source=gb-gplus-shareNineteenth-Century Choral MusicNineteenth-Century Choral Music

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Nineteenth-Century Choral Music


Front Cover


Donna M. Di Grazia


Routledge, Mar 5, 2013 - Music - 524 pages


0 Reviewshttps://books.google.com/books/about/Nineteenth_Century_Choral_Music.html?id=qyPz1PUFxW8C




Nineteenth-Century Choral Music is an in-depth examination of the rich repertoire of choral music and the cultural phenomenon of choral music making throughout the period. The book is divided into three main sections. The first details the attraction to choral singing and the ways it was linked to different parts of society, and to the role of choral voices in the two principal large-scale genres of the period: the symphony and opera. A second section highlights ten choral-orchestral masterworks that are a central part of the repertoire. The final section presents overview and focus chapters covering composers, repertoire (both small and larger works), and performance life in an historical context from over a dozen regions of the world: Britain and Ireland, the Czech Republic, France, Germany, Hungary, Italy, Latin America, the Philippines, Poland, Russia, Scandinavia and Finland, Spain, and the United States.

This diverse collection of essays brings together the work of 25 authors, many of whom have devoted much of their scholarly lives to the composers and music discussed, giving the reader a lively and unique perspective on this significant part of nineteenth-century musical life.







 

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Contents












Selected Masterworks from the ChoralOrchestral Repertoire
39
The Choral Repertoire Large and Small
111









Index
500
Copyright








Other editions - View all





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Common terms and phrases



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American Anton Bruckner bass Beethoven Berlioz Brahms Brahms’s Bruckner Cambridge University Press cantata cappella chant Cherubini choirs choral music choral singing choral societies church music composer’s composers composition concert cultural Czech diss Dvorak early edition Elgar Elijah ensemble EXAMPLE Fauré Faust festivals figure final finale first first performance five Franz Liszt French fugue Gabriel Fauré genre German Gloria Gounod groups Handel harmonic Haydn Hector Berlioz homophonic hymns I—II Ibero-America influence Kyrie large—scale Liszt liturgical Luigi Cherubini Mahler major Mass melody men’s Mendelssohn Missa solemnis mixed chorus motets movement musicians nineteenth century ofhis ofMusic ofthe opera oratorio orchestra organ Oxford University Press Paris partsongs piano pieces polyphony premiere Psalm published reflects repertoire Requiem Robert Schumann Rossini Russian sacred choral sacred music Saint—Saens Sanctus SATB Schumann score setting significant singers solo soloists songs soprano specific Stabat Mater style Symphony tenor tradition vocal voices women’s writing York





About the author (2013)


Donna M. Di Grazia is the David J. Baldwin Professor of Music and Choral Conductor at Pomona College in Claremont, California, and a recipient of the Wig Distinguished Professor Award for Excellence in Teaching.




Bibliographic information







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